The brass replica of a common Jerusalem stone—the kind often employed by protestors to deny access to vehicles on the Sabbath—hides within it a 14 karat gold scale model of the police barricades used by authorities to restrict the movement of citizens. Once the weighty brass stone is opened, Pereg’s delicately crafted barricade suggests a DIY (do-it-yourself) modality: owners may wear the gold barricade as a charm, or customize the scale model by using the stone as a tool for deformation or destruction. Pereg unites these two symbols of conflict and control to comment on the aesthetics of ornament and violence across both secular and religious spheres.